The story I mentioned the other day is now sitting. I’m not sure that it works from a structural standpoint, and I need some distance from it in order to know for certain.
What I do know is that sometimes, when I’ve been working on a “dark” story, I need to work on something quite different for balance. Last summer, when a very dear friend was dying, I worked out some of the issues by writing “The Seasons of a Friendship,” in which Joe assists a dying friend in his last days. Then, in attempt to turn my thoughts in another direction, I wrote “Fetching the Payroll,” with exasperated Ben telling of how his mutton-headed sons managed to mess up the very simple task of bringing home the payroll. Granted, I followed that up with another dark story, “Premonition,” which I started upon coming home from my friend’s funeral, but as I grappled with those days, it helped that there had been a few moments when I was able to create a bit of humor.
Sometimes, it’s just the drama of the story itself that demands relief. When I was writing “The Barn Cat” last winter, it was definitely heavy lifting–Joe’s injury, the possibility of amputation, fever and delirium and risk of death. So, one day, I thought, “I need a break. What’s the opposite of all this intensity?” In the space of a couple of hours, I wrote “The Best-Laid Plans,” in which was Joe was again injured and in bed but handling it in a far different fashion by trying to entice a girl to join him for a romp. (”The Best-Laid Plans” is posted in the Ranch House Studios R forum on Bonanza Brand.)
I have several stories in process now, but all of them have been on the dark side. I’m not quite sure why, although I could take some guesses. In any event, last night, I started writing one which had occurred to me before in which Ben comes face to face (so to speak) with the fact that his baby is no longer a baby. It’s not a full-blown comedy in the tradition of “Romeo” (Adam telling the story of how he directed Joe in a production of “Romeo and Juliet”) or “Fetching the Payroll” or even “Brother Daniel” (in which well-meaning monks tried to protect amnesiac Joe after he witnessed a bank robbery), but the opening scene did lighten my mood. We’ll see where it goes from there. . . .